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Transparent tubes of lip gloss float through the air surrounded by large, glossy, liquid-like droplets in rich shades of berry and mahogany. - Discover how Welpix and Art Director Zainab Sharrofna used CGI for cosmetics to create luxury visuals for Nice One, before products existed.

Nice One: print-ready 3D renders for Calla Makeup

Client:
Nice One
Location:
Saudi Arabia
Category:
Cosmetics
Date:
March 2026
Delivered:
13 landscape renders for print: Calla Makeup and other brands sold by Nice One

At a glance

The problem

Nice One needed print-quality images of Calla Makeup and partner-brand products, each in its own styled scene, and some labels existed only as low-res images.

What we did

Modeled the products, built minimal, simple-prop and custom scenes, and settled conflicting feedback by changing the 3D scenes live with Nice One's team.

The outcome

Landscape renders for print, followed by a second project: 3D renders of Ola Hair's devices for that brand's new packaging.

Key result

Revisions settled live, on screen

When written comments from several reviewers started to conflict, we moved the reviews to live calls in December 2025 and changed the 3D scenes while Nice One's team watched. Several images were approved on the call.

The challenge

Nice One, the Saudi online beauty store, sent a detailed brief for its private label Calla Makeup: ten images in the first stage, from the Disco Fever mascara, Glazed Lips gloss and Eye-Conic palette to the Bunny Cheeks blush, plus products from other brands it sells, such as Nabla blush, Beauteous colour contact lenses and the Laundryou cleanser. Every render had to be landscape and "designed primarily for print".

Each image had its own direction: gloss shades flying with drops of gloss, a highlighter floating between clouds over desert ground under a big moon, an eyeshadow palette between two earthy rocks, blush brushes in a circle. One product wasn't listed online yet, and the labels were the main concern: some were only available as low-resolution images.

The process

Martin's first video sorted the brief into style groups: four minimalistic, three simple-prop and three custom images, with about 12 hours to model and texture the nine products we had to build. He asked for vector label files where possible and set up Nice One's account in our client system, where each product had its own revision page.

The details came from Nice One's team: the Kitten Paw applicator had to match the real brush, denser and skinnier at the top, with the cap off; the gradient had to run right to left; one lid had to be frosty, semi-transparent and tilted open; bubbles were to look like they were hugging the product. When feedback from different reviewers began to conflict, we switched to live calls. On 11 December we opened the scenes in 3D while Nice One's team watched: a mirror-like surface was made slightly rough so its double reflection stopped confusing, the crowded mascara shot got breathing room with fewer disco balls and a spotlight, and the blush image was zoomed out to leave space for text.

The brief then grew: the In the Clouds lip oil holder hanging on a thin branch among soft pink clouds, and, in March 2026, two products without a background.

The outcome

Nice One received landscape renders at print quality, with the blush image rendered at extra-high resolution so the team could crop it for its own layouts.

The work led to a second project. Nice One briefed us on 3D renders of Ola Hair's hair devices for that brand's new packaging, and we reviewed the models with them in January 2026.

This is perfect. Lighting is perfect. Colors are great.
Zainab Sharrofna

The final renders

Calla Makeup in its own scenes

Mascara, lip gloss, blush, highlighter and eyeshadow from Calla Makeup, plus partner-brand products, each staged in its own scene.

11 renders

Transparent tubes of lip gloss float through the air surrounded by large, glossy, liquid-like droplets in rich shades of berry and mahogany. - Discover how Welpix and Art Director Zainab Sharrofna used CGI for cosmetics to create luxury visuals for Nice One, before products existed.
A "Disco Fever" mascara tube and its applicator wand are prominently displayed amidst a cluster of shimmering silver disco balls against a bold pink backdrop.
A pink Calla Makeup lip gloss with a textured cap hangs like a keychain from a matching pink handbag in a lush, sunny garden.
An open "Eye-conic" eyeshadow palette featuring fifteen neutral and earthy tones is suspended between large, rugged brown rocks.
A clear bottle of facial cleanser is nestled securely within a cluster of smooth, light-teal spheres on a clean white background.
Multiple white, pebble-shaped makeup compacts float in the air, some open to reveal vibrant red and soft pink powders against a warm gradient background.
Various pink and orange powder compacts float dynamically against a soft blue background, with some open to reveal their internal mirrors and product.
A series of dual-ended makeup sticks featuring various coral and red shades are lined up to showcase their product and integrated blending brushes.
Several white makeup sticks hover over a shimmering pink textured surface beneath a dreamlike moonlit sky.
A box of "Beauteous" contact lenses floats alongside several individual colored lenses against a soft, muted purple-pink background.
Slender white makeup sticks with various pink and mauve shades are artistically arranged both standing and lying down on a reflective surface.

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